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Mud

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MUD was designed to introduce the students of ArteMente to the choreographic world of Emanuel Gat Dance. In the accelerated creation process, the dancers were co-creators, relating to one another through their movements within a confined framework of choreographic rules. Rather than recreating an existing piece of Gat repertoire, MUD works with familiar ideas to […]

SQUEEZE

From fleeting encounters to lasting friendships, it's always more exciting to engage with those around you than to be completely on your own. Dance is no exception, at least if we leave aside the unquestionably enriching but nevertheless solitary transcendental experiences during a rave and turn instead to the peculiarities of choreographic systems and crowd-pleasing […]
Sacre by Emanuel Gat for SUB.LAB.PRO

SACRE

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Sacre – A dance piece by Emanuel Gat for Sub.Lab.Pro, Staging by MIchael Loehr & Karolina Szymura, Music by Igor Stravinsky

BODYDISMORPHIA

BODYDISMORPHIA is Patrick Mason's third collection, presented to great critical acclaim at Berlin Alternative Fashion Week 2017.

LE ROUGE ET LE NOIR

Le Rouge et le Noir – A dance piece by Emanuel Gat for Montpellier Danse 36, Choreographic Assistance by Michael Loehr, Music by Jacques Brèl

IDA ?

Ida ? – A dance piece by Emanuel Gat for Cedar Lake Contemporary Ballet, Choreographic Assistance by Michael Loehr, Music by Ludwig van Beethoven

TRANSPOSITION #1 TRANSPOSITION #2

Transposition #1 & #2 - 2 dance pieces by Emanuel Gat for CCN Ballet de Lorraine, Choreographic Assistance by Hervé Chaussard & Michael Loehr

IN TRANSLATION

In Translation – A dance piece by Emanuel Gat for Candoco Dance Company, Re-Staging by Michael Loehr, Music by Johann Sebastian Bach

ZEITSPRUNG – SCHWANENGESANG

Zeitsprung / Schwanengesang – A Community Dance Project by Tanztheater Bielefeld & Gregor Zöllig, Choreography by Michael Loehr & Antje Rose

INLAND

Inland – A dance piece by Michael Loehr, Music by John Matthias & Nick Ryan (Remixed by John Maclean, Thom Yorke & Andrew Prior, Texts by Birger Sellin, Michael Kimball
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