Category

Creating

Excessive Facts Pt. I

In preparation for our upcoming residency at STRUT Dance in Perth Something Machine (Pansun Kim, Genevieve Osborne, Milena Twiehaus and I) met at Tanzfabrik Berlin this week to continue working on THE 2ND EXCESSIVE RUDENESS. As part of our research into the theme of observation we started collecting a whole bunch of (more or less)...
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Two Conversations

With regard to the upcoming world premiere of STORY WATER at Festival d’Avignon 2018 this Thursday, i wanna share two interesting conversations focusing on the project’s music as well as the relation between music and dance on stage. The first (English) conversation was held between journalist Mélanie Suchy, Emanuel Gat and the Ensemble Modern for the...
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In good company

Emmanuelle Bouchez from French cultural magazine Télérama visited us during our residency at La FabricA last May in Avignon. She spent some days with us in order to observe the creation process of STORY WATER, talk to Emanuel about his career and his working methods, and interview some of the dancers (including myself) about their...
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A place of fluid metaphors

“STORY WATER is a place of fluid metaphors waiting for new contexts to emerge, so as to reveal new meanings.” The air inside Frankfurt LAB is muggy and the creation process for STORY WATER is in full swing. With the World Premiere coming closer, Emanuel is simultaneously working with the dancers on the choreographic structure...
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Am I facing the wrong way?

The work on THE 2ND EXCESSIVE RUDENESS continues. My colleagues from SOMETHING MACHINE and I are still processing all the material we created during our residency at Seoul Dance Center, simultaneously preparing for the upcoming SEED residency program at STRUT Dance in Perth, and sending out applications for new opportunities. THE 2ND EXCESSIVE RUDENESS will...
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Dance and Music

Emanuel sat down with Agnès Izrine to talk about the relationship between dance and music in his work, and his collaborations with electronic musician Awir Leon in SUNNY and the Ensemble Modern in his upcoming creation STORY WATER. Read the full interview below:
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A show about itself

A huge thanks to everyone who voted for STORY WATER in the Fedora competition! Our project has been selected as one of four jury nominees for the Fedora Van Cleef & Arpels Prize for Ballet 2018. Fedora is co-funded by the Creative Europe Programme of the European Union and supports innovative opera and ballet projects...
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The Iron Dobbin 1933

Attempts without worth

ATTEMPTS WITHOUT WORTH V.1 Everyone here remembers my horse. Is facing the right horse even wrong? Can’t the eel walk 5 Steps? With snaps and stabs it flew. The guy gradually climbs the horse and sees his purse rise off his seat. He’s so up himself, his reflection vomits confidence. You cross and he forgets...
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Sexy, yummy, wonderful!

Thank you for a totally awesome, exciting, inspiring, sweaty, sexy, adventurous, challenging, insane, fun, groovy, yummy, bold, wonderful 2017! I was absolutely lucky to perform and create with such a bunch of inspiring artists, and teach my classes and workshops for so many talented young dancers. I performed 36 shows in 7 countries, spent 9...
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Something Machine x STRUT

The end of the year is fast approaching and holiday season is almost here, but it’s never too late to share some good news: I am beyond excited to announce that SOMETHING MACHINE‘s project THE 2ND EXCESSIVE RUDENESS was chosen for STRUT Dance’s precious SEED residency program. STRUT is the National Choreographic Center of Western Australia. A...
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