NEWS

Coloured up

There is alway something special about performing Emanuel Gat's DUOS. You never know what's gonna happen. Each show takes place under different circumstances, in a different setting, and with a different partner. And dancing in full body paint (created spontaneously by artist Yifat Gat...
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It’s a wrap!

2018 is a wrap and it’s time to say thank you for a year full of exciting projects! I feel really really lucky that I’m able to work with so many great people and institutions around the world. I performed 35 times across 7 countries, spent 10 weeks creating (and restaging) 5 different works with Emanuel Gat Dance, Scottish Dance...
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Sharlie’s Story

It always feels like we only truly start working on a production once we begin touring it. So naturally Emanuel Gat’s STORY WATER is still somewhere at the beginning of its journey. And while we keep discovering and understanding more and more layers of the show each time we meet and work, our audiences have their very own unique experiences....
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A rehearsal day with Something Machine

Thinking Dancers

What just happened here? • A rehearsal day with Something Machine • The 2nd Excessive Rudeness • Pansun Kim • Michael Loehr • Genevieve Osbone • Milena Twiehaus • Thinking dancers • No idiots • Instant replay • Right or wrong? • The strongest section • Information overload • She cooknektor • Chuck • Petite finale • Thank you!
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Excessive Facts Pt. I

In preparation for our upcoming residency at STRUT Dance in Perth Something Machine (Pansun Kim, Genevieve Osborne, Milena Twiehaus and I) met at Tanzfabrik Berlin this week to continue working on THE 2ND EXCESSIVE RUDENESS. As part of our research into the theme of observation we started collecting a whole bunch of (more or less) related facts:
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DIS-TANZ-SOLO RESEARCH

DIS-TANZ-SOLO
Sports science as a tool for movement optimisation, injury prevention & performance enhancement in the work practice of contemporary dancers

ABOUT

    PERFORMING

    Michael Loehr is a contemporary dancer who has collaborated with a number of international choreographers and companies. His main focus for the past 15 years has been his collaboration with Emanuel Gat. Enjoying the challenge to adapt to different surroundings and to switch between styles, his way of moving is characterized by both an emphasis on clarity and the joy of embracing the awkward.

      CREATING

      Michael Loehr has a big interest in autonomous choreographic structures and a focus on discovering rather than executing. His creative skills are channelled in his own choreographies, a variety of projects that he accompanies as choreographic assistant as well as in numerous collaborations as a performer in works that require a choreographic vision.

        TEACHING

        Michael Loehr is teaching contemporary dance classes and workshops for professional dancers and beginners alike. Passionately believing in the potential of sharing knowledge and ideas, he considers teaching an essential part of his artistic practice.