ENSEMBLE MODERN

Since its founding in 1980, Ensemble Modern has been among the leading New Music ensembles. It currently unites 18 soloists from Belgium, Bulgaria, Germany, Great Britain, Greece, India, Israel, Japan, the USA and Switzerland, illustrating the culturally diverse background of the ensemble. Resident in Frankfurt am Main, the ensemble has been incorporated as a civil law association (GbR) under German law since 1987, with the musicians as partners. Ensemble Modern is known for its unique organisation and working method, foregoing an artistic director: projects, co-productions and financial matters are decided and implemented jointly. Its unique and distinctive programming includes musical theatre works, dance and video projects, chamber music, ensemble and orchestral concerts. Tours and guest appearances have taken it to the most renowned festivals and distinguished performance venues, such as the Salzburger Festspiele, Klangspuren Schwaz, Bregenzer Festspiele, Wien Modern, Festival d’Automne à Paris, Holland Festival, Klangspuren Schwaz, Berliner Festspiele, Ruhrtriennale und Lucerne Festival, as well as Wigmore Hall, Cité de la Musique, Tokyo Wondersite, Concertgebouw Amsterdam, Elbphilharmonie, Kölner Philharmonie, Konzerthaus Berlin, Festspielhaus Baden-Baden. 

The ensemble strives to achieve the highest possible degree of authenticity by working closely with the composers themselves. The musicians rehearse an average of 70 new works every year, 20 of which are world premieres. Its work is characterised by extraordinary and often long-term cooperative ventures with renowned artists, such as John Adams, George Benjamin, Peter Eötvös, Heiner Goebbels, Hans Werner Henze, Mauricio Kagel, György Kurtág, Helmut Lachenmann, György Ligeti, Benedict Mason, Karlheinz Stockhausen, Steve Reich or Frank Zappa.

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  • It’s a wrap!

    2018 is a wrap and it’s time to say thank you for a year full of exciting projects! I feel really really lucky that I’m able to work with so many great people and institutions around the world. I performed 35 times across 7 countries, spent 10 weeks creating (and restaging) 5 different works with...
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  • Harsh, rugged and angular

    Silvia Staude from German newspaper Frankfurter Rundschau came to see STORY WATER at Tanzfestival Rhein-Main last week. After several working residencies at Frankfurt LAB and a successful world premiere in Avignon, the Emanuel Gat Dance /  Ensemble Modern co-production returned to where it all started for two celebrated shows. Check out the German review below...
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  • Love at first sight

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  • Danse!

    The new theatre season is about to kick off and my first show will be STORY WATER with Emanuel Gat Dance and the brilliant Ensemble Modern at Beethovenfest in Bonn next week. Just in time Julia Gat finished editing a brand new teaser, filmed at the world premiere in Avignon last month. I totally can’t wait for this...
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  • Two Conversations

    With regard to the upcoming world premiere of STORY WATER at Festival d’Avignon 2018 this Thursday, i wanna share two interesting conversations focusing on the project’s music as well as the relation between music and dance on stage. The first (English) conversation was held between journalist Mélanie Suchy, Emanuel Gat and the Ensemble Modern for the...
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  • In good company

    Emmanuelle Bouchez from French cultural magazine Télérama visited us during our residency at La FabricA last May in Avignon. She spent some days with us in order to observe the creation process of STORY WATER, talk to Emanuel about his career and his working methods, and interview some of the dancers (including myself) about their...
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  • A place of fluid metaphors

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  • Dance and Music

    Emanuel sat down with Agnès Izrine to talk about the relationship between dance and music in his work, and his collaborations with electronic musician Awir Leon in SUNNY and the Ensemble Modern in his upcoming creation STORY WATER. Read the full interview below:
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