SUNNY, like all of Emanuel’s work, is continuously evolving, changing and growing. The piece we premiered at the Venice Biennale in June 2016 surely looks very different from the piece we’re currently performing. The choreographic material, our set of rules and the framework in which we move stayed exactly the same but our choices and hence the result has changed.
When performing under specific circumstances, like we did at Cité de la Musique where we basically turned the theatre space into an arena with audience all around us, the effect of that constant process of adapting and rearranging is even more significant.
Have a look at two reviews published by dansercanalhistorique.fr below, one by Agnès Izrine from our show at Montpellier Danse 2016 and one by Thomas Hahn who talks about this very process after seeing SUNNY at Cité de la Musique in Paris.